Nui Shibori Table Quilt

Fabric Dyeing has been a fun, creative way to make unique fabrics for my quilting.  This spring, I spent some time playing around with stitched shibori.  I wanted to figure out how to create drawings in the dye.  I also wanted to try hand painting before and after dyeing the fabric.

So, I set out to do a few experiments.

Experiment #1. Nui Shibori flower and over-dyeing painted fabric

  • Draw pattern on the fabric with a water soluble fabric marker
  • Stitch the drawn lines  with polyester thread
  • Dissolve Dye in 1 ml Urea Water, Add 2 T Print Paste, 14 ml Urea Water, 1/8 tsp Mixed Alkali, Mix well
  1.               Dark Pink = ¼ tsp Mixing Red
  2.               Light Pink = 1/16 tsp Mixing Red
  3.               Dark Blue = ¼ tsp Mixing Blue
  4.               Light Blue = 1/16 tsp Mixing Blue
  5.               Green = 1/8 tsp Evergreen
  • Paint dye on fabric areas within the shibori stitching

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  • Paint dye in sections for over-dyeing

Dye Paint

 

  • Allow to dry for 4 hours
  • Pull center threads and tie off

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  • Place in 1000 ml of 0.15 mg/ml Mixing Blue Dye (with Soda Ash)
  • Batch for 5 hours
  • Wash with Blue Dawn, Dry and Iron

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Dye Paint Overdye

Lessons Learned:

  • Shibori pattern turned out well
  • Dye painting turned out well, but the the color edges were too crisp – use less Print Paste next time
  • Over-dyeing does not change the underlying painted color very much

Experiment #2.  Whole Cloth Pattern:

  • Design quilting using QuiltCAD program

Capture

  • Stitch section outlines on long arm with polyester thread for pattern placement when quilting
  • Draw shibori pattern by holding water soluble marker in the needle position and running pattern on trace

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  • Hand stitch shibori sections

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  • Dye Paint:
  1. Mixed Alkali: ½ tsp mixed with 8 ml Urea water
  2. Yellow: 1/8 tsp Golden Yellow in 10 ml Urea water; Combine 1 ml concentrate with 6 ml Print Paste, 3 ml Urea water and 0.6 ml Mixed Alkali
  3. Green: 1/8 tsp Evergreen in 15 ml Urea Water. Combine 7.5 ml concentrate with 15 ml PP and 1.5 ml MA
  4. Dark Pink: 1/8 tsp MR in 15 ml Urea water.  Combine 7.5 ml concentrate with 15 ml PP and 1.5 ml MA
  5. Light Pink: Combine 3 ml MR concentrate with 15 ml PP and 1.5 ml MA
  • Paint on Fabric sections of shibori stitching

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  • Allow to dry for 4 hours
  • Pull center threads and tie off
  • Stitch Floss “Ties” to center of fabric to help with lifting in/out of water
  • Make Dye Concentrate: Mixing Blue 10 gm in 100 ml Urea Water (100 mg/ml)
  • Place in 4000 ml Soda Ash solution in bucket
  • Add dye concentrate at 5 minute intervals (10 ml, 10 ml, 10 ml, 10ml, 40 ml) = 0.25, 0.5, 0.75, 1.0, 2.0 mg/ml to create an ombre effect
  • Lift fabric a small amount after each dye increment
  • Prop fabric up on support dripping into empty bucket, cover with plastic bag

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  • Batch for 4 hours

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  • Clip and remove all sewing lines
  • Wash with Blue Dawn, Dry and Iron

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  • Quilt as planned

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Lessons Learned:

  • Paint center dye before pulling tight the outer threads – easier than having to paint on a bubble
  • If you forget the first step – sealed air packs work well to fill the bubble for painting

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  • Fabric will trap air, creating a bubble, in the middle – easy to keep the center section out of the dye bath.
  • Use a color of thread different from the color of dye – makes it easier to remove the threads.
  • The fabric dye paint did not turn out as well as I had hoped.  So, after quilting, I repainted the fabric dye without Print Paste for a smoother look

 

I entered this quilt in the Minnesota State Fair on a whim to see what the judges comments would be regarding the shibori  and hand painting technique.  Boy was I surprised that it was awarding a blue ribbon!

 

Shibori Quilt

Sometimes, when working on a quilt, parts of the original design are adjusted and changed as I proceed with the project.  This was the case when I was making the large butterfly quilt that I described in August 2016 posts.

Early in the design process, I had thought that a rainbow shibori border would look nice.  To create the border,  I made four 9″ x 90″ shibori panels with red, blue and yellow dye.  These panels turned out lovely.

The next step was to dye the fabric that the butterflies would be appliqued onto.  When planning out this step, I changed my mind about the border and decided that I wanted the butterflies to be in a more “natural” environment.  So, I made four more panels of shibori that looked like grass.  This change was perfect for the quilt at that time.

However, I had the rainbow shibori panels already dyed.  Not knowing what I wanted to use them for, I just stored them in my fabric stash and didn’t really think about them for a few years.

Recently, when organizing my fabric, I ran across these panels and decided I really needed to use these in a quilt. Utilizing a simple triangle quilt design, I combined the shibori  fabric with a black fabric.  This was a quick project that turned out really nice. I love the optical illusion that the dyed fabric creates.

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Spring Has Sprung!

It’s April, the birds are singing outside my window, the bulbs are coming up in my gardens and the grass is starting to get green.  So, it’s time to change the decor in my bedroom – a new Daisy Bed runner really added some springtime color.

 

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To make this bedrunner, I used the leftover blue fabric from the backing of my butterfly quilt as the main background.  To supplement the blue, I took out some of my custom dyed fabric samples, generally ones that were trials on different dyeing techniques. For added color, I decided to try out some fabric paint crayons.

A few years ago, I took a class on Shiva Paintsticks and Rubbing Plates.  I enjoyed the class and purchased some supplies.  However, time being in short supply, I really hadn’t used them since completing the class.

This project, I thought would be a good use of the paintsticks to embellish the fabrics that I had in my collection. After a day of painting, I set the fabrics aside for a week to allow the oils in the dye crayons to dry.  The dye pigment was then heat set by ironing the fabric between pieces of brown paper (absorbs the excess oils very nicely).  The resulting fabrics were really interesting.

Triangles were cut out of the fabrics and the border was then made by alternating triangles of blue and color.

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To enhance the bedrunner, daisies and leaves were appliqued onto the center panel. The runner was quilted and the binding added.

 

 

 

 

 

 

 

Arashi Shibori Experiment

Arashi Shibori, pole wrapping, creates an interesting dye pattern in the fabric. Because I liked how my initial samples turned out (see April 13, 2016 and August 12, 2016 postings), I decided to do a small experiment.  To assess the effect of the amount of compaction of the fabric has on the dye pattern, the following experiments were completed.
Experiment #1:
1. PVC pipes with caps (to reduce the amount of dye needed)
2. Three pieces of fabric  cut 8″ x 45″, stitched together using a long stitch length to form a tube of fabric, and scrunched onto the pipe
3. Scrunch one piece of fabric:
– loosely, about 20″ in length
– moderatly, about 15″ in length
– tighly, about 10″ in length

8 inch wrap

Experiment #2:

1. PVC pipes with caps (to reduce the amount of dye needed)
2. Three pieces of fabric  cut 9″ x 45″, stitched together using a long stitch length to form a tube of fabric, and scrunched onto the pipe
3. Scrunch one piece of fabric:
– loosely, about 20″ in length
– moderatly, about 15″ in length
– tighly, about 10″ in length
9 inch wrap

 

Experiment #3:

1. PVC pipes with caps (to reduce the amount of dye needed)
2. Three pieces of fabric  cut 10″ x 45″, stitched together using a long stitch length to form a tube of fabric, and scrunched onto the pipe
3. Scrunch one piece of fabric:
– loosely, about 20″ in length
– moderatly, about 15″ in length
– tighly, about 10″ in length

10 inch wrap

I now have samples that I can refer to when planning to dye fabric using this technique. Can’t wait to try some more fabric dyeing.

Butterfly Art Quilt

As a pediatric dentist, I see lots of kids with interesting clothing selections.  Some have mismatched colors, some have their shirts on backwards (or their shoes), but some are absolutely adorable.  Last winter, one of my younger patients (she was a little over 3 years old) came in with a t-shirt on that had a large butterfly printed on it.
Now, I love butterflies – with their beautiful colors and graceful wings. This little girl was fearful of having me check her teeth, so I tried to help her relax by talking to her about her t-shirt.  Turned out that she liked butterflies too and gladly started showing me her t-shirt.  On closer inspection, this large butterfly was actually made up of smaller butterflies and was really cute.  After a successful dental checkup, she left cavity free and happy!
Since it was a busy day, I didn’t think more about the patient until my lunch break when my staff commented that they were happy she overcame her fears and was able to complete an exam and cleaning. One of my staff commented that the conversation about the butterflies may have been what helped her to relax. This conversation sparked an idea in my mind – to make a quilt with a butterfly made out of little butterflies.

http://www.missoulabutterflyhouse.org/store/

An on-line image search was unsuccessful in finding a picture of the t-shirt that matched what I remembered seeing earlier that day. I did, however, find a link to the Missoula Insectarium. In their store, they sell a t-shirt with butterflies  that I thought might be a good inspiration for my quilt.

Using a graphics program, I did a quick design to see how the idea might look. This, I thought, was going to be a fun quilt to make.

Creating the applique butterflies:
Using the graphics program, I cropped the butterfly image around each of individual butterflies.  In doing this, I found that several of the butterflies were about the same shape.  So, I actually only had 12 different butterflies to work with.  Using the Bernina DesignWorks software, I created a Cutwork and Applique file for each butterfly.

For my fabrics, I used the samples from my many trials of fabric dyeing – shibori, mandala, etc).  These fabrics had symmetrical colorings and patterns that worked well for butterfly wings.

More on this project in my next posting…

Ombre Dyeing (Gradient Dyeing)

Ombre dyeing gives a nice subtle, ethereal look to fabrics.  It looks harder than it actually is.

Supplies:
Fiber Reactive dyes (MX dyes)
Soda ash
Salt
Buckets for dye bath
Rod to hold fabric
Chairs or some sort of support to hold your rod
Rubber gloves
Pins or clamps

Technique:
1.  Wash the fabric in Blue Dawn (unless using PFD fabric).                            Note: Some instructions say to presoak the fabric in soda ash solution.  I prefer not to do this to avoid too much color wicking up the wet fabric.


2.  Use pins to mark increments along the length of the fabric.
3.  Pin the fabric to plastic hangers for easier handling.  
4.  Mix up 20 ml of dye at a concentration of 100 mg/ml in Urea water
5.  Place 2000 ml of warm Soda Ash solution in a plastic container.
6.  For the lightest shade in your ombre pattern, add 2 ml dye concentrate to the soda ash solution.
7.  Wipe the inside of the dye tub to prevent unwanted dye marks on the fabric
8.  Dip fabric to the farthest pin and move up and down several times.
9. While holding the fabric above the dye tub, add 2 ml of dye concentrate and mix well.
10.  Dip  the fabric the the second pin and move up and down several times.
11.  Repeat steps 9 and 10 but adding 2 ml of dye concentrate each time until ten sections are dye at increasingly darker color.
12. Pull fabric out of the dye tub and hang over a container to collect any drips.  Allow dye to batch for 2 hours. 
13. Rinse the fabric in cold water, wash in Blue Dawn, dry and iron.










Some of my earlier posts included scarves that were ombre dyed.  Here are some images to show some additional samples of ombre dyeing.