Sleep in Heavenly Peace

As most of my friends and family know, I like to try new ideas for quilts.  Many of these are made and then given away to charities.  Last winter I learned that the charity I had been donating to changed their donation policy.  In order to donate an item, I needed to donate one for ever person living at their housing location. That meant I needed to make 24 quilts before I could donate them.  That would be a difficult task for me to accomplish.

Fortunately, last December while watching the evening news, I  saw a news article about an organization that made beds for children who do not have a bed and are usually sleeping on the floor.  When I learned I needed to find a new place to donate quilts to, this organization came to mind.

SHPSleep in Heavenly Peace (shpbeds.org) is a national organization “dedicated to building, assembling and delivering top-notch bunk beds to children and families in need”.  I went on-line to learn more about the organization.  What I learned was when the beds are delivered, the children are also given a mattress, pillow and bedding (including a comforter or quilt).

This, I thought might be a good place to make quilts for.  And, since the beds are for children, I could make all kinds of fun kids quilts! After contacting them, I started setting aside quilts to drop off.  A few days ago, I delivered the twelve quilts that I have made this year.  Hopefully there will be a dozen kids who enjoy these quilts.

Many of the quilts I have already written about in previous blog posts.  But, here are a few photos of the ones I have not already posted about.

A flannel quilt (front and back):

Another flannel quilt (front and back):

An airplane quilt:Twin

Diamonds:Blue Baby Quilt

Patriotic Bargello:Attachment-185880

If any of my friends have quilt tops that they would like to donate, I will gladly quilt them on my long-arm machine and donate them to SHP for you.  Just contact me.

Quilt from old Denim Jeans

Over the summer, we replaced the carpeting in our home.  The original carpet was over 30 years old.  And, while it had held up well, it was time for an update.

I realized, when preparing for the installers, that replacing carpeting is nearly as bad as moving to a new home.  Everything needed to removed from the floors.  This included all of the furniture in the rooms, as well as things on or near the floor in the closets. Logistically it was a bit overwhelming at times. However, now that the new carpet is installed, it is nice to have updated the look of the house.

Piles-of-jeansIn the process of moving things, my husband had a pile of jeans to donate.  Rather than taking them to Goodwill, I decided to make a denim quilt instead.  This was something I had thought about doing for the past couple of years.  And, now that I had some worn, but not holey, denim to work with I decided to give it a try.

To make the quilt, I settled on a quilt-as-you-go technique.  My concern was that quilting such a heavy project would throw the timing of my long-arm machine off. So, this technique would completely avoid using my quilting machine

To make the quilt, I cut out 9″ denim circles.  Out of each pair of jeans, I was able to cut 12 circles. Needing 154 circles, I used 13 pair of jeans. Next, I drew a 6″ square on the back of each piece of denim to help with lining up and sewing the pieces together.  

After each row of 14 circles were sewn together, I added a six inch squares of quilt batting and flannel to the back side of the denim (the side that would have been inside the pair of jeans).

This was a great way to use up a lot of scrap pieces of batting.  However, in retrospect, the quilt was really heavy and the batting was probably not necessary.

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After pinning the flannel and batting in place, I used a zig-zag stitch to sew down the raw edges of two sides of the denim.  A total of eleven rows were sewn.

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Before sewing the rows together, I used a zig-zag stitch to sew down the raw edge of one side of two separate rows.  These would become left and right side of the quilt.

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Next, I sewed the rows together, zig-zagging the raw edges of each circle after they were sewn.

What  I didn’t realize is how heavy the quilt would get by the time I was halfway done sewing it together!  The next denim quilt I make will definitely be done using a different method.

I will be donating this quilt to a charity (Sleep in Heavenly Peace).  It should provide a unique quilt for a young boy or girl to stay really warm this winter.

Blended Cultures

IMG_3900Of the four quilts that I entered this year in the Minnesota State Fair, I have described three of them previously.  Now that the busy summer schedule has settled down, it’s time I describe the fourth quilt I entered.

This quilt was made a the request of someone I know.  He asked if I could make a quilt for his new grandson. My response was “sure – what kind of quilt was he thinking of”.  Further conversations helped focus my design ideas.  He said he wanted the quilt to be twin sized and to incorporate the cultures of his son, who is Swedish, and his daughter-in-law, who was adopted as an infant from India.  This sounded like a fun quilt to work on.

design

First, I needed to figure out the main piecing theme of the quilt.  After sending several ideas to him, he selected a large eight pointed star pattern.  My design incorporated blue and yellow points for the Swedish half of the star and red, orange and green points for the India half of the star. At the top of the quilt, one of the blue points was adjacent to a red point to bring the two cultures together in an American section of the quilt.

IMG_3103After selecting several batik fabrics, I started piecing the quilt.  While piecing, I was drawing out ideas for the quilting.  I wanted to incorporate, with just thread, some images that reflected the heritage of the child.  By using thread and not applique, the main design of the quilt would not overwhelmed by too much going on with the fabric. For inspiration, I sought some advise from several friends who are from India and Sweden.

For the Swedish heritage, I stitched out a moose, a fox and some rosemaling. For the India heritage, I stitched out an elephant, a peacock and some paisley patterns. For the American heritage, an eagle was stitched. Each of these designs were stitched out in the background sections between each point of the star with a thread color slightly darker than the fabric. In the other three sections, I put the child’s birth month, date and year.  The designs were surrounded by a diagonal hatch fill in the same color as the fabric to help the images show better.

 

Around the star, several circles was sewn.  Between the lines of the outer circles, I thought it would be nice to include the child’s name – so that was sewn in the bottom section of the circles.  To fill the rest of the circle, I once again consulted my friends.  I thought perhaps there would be a phase that was specific to each culture that I could stitch out.  I asked my friends if they could give me a list of three phrases that might be said of or to a young child, or more specifically a young boy.  When I compared the lists, I was surprised to find one of the phrases was on both the Swedish list and the India list.  That phrase “May you live long, my son” was included in  the quilting.  The phrase, in English, was stitched at the top of the circles on the quilt.  Then, on the Swedish side of the quilt, it was stitched in Swedish.  And, on the India side of the quilt, it was stitched in Hindi. To fill in the space between the name and phrases, paisley patterns were stitched.

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The rest of the background was filled with some stitching to replicate Scandinavian rosemaling. This was then highlighted with some straight hatch fill.

I had not intended to enter this quilt in the fair.  However, while working on it, the design was coming together so nicely that I asked permission to enter it. My quilt entry was named “Blended Cultures – Swedish and Hindi heritage in an American Boy” and was enter in the Commemorative Quilt Category.  The blue ribbon the quilt was given was a nice surprise for a “last minute” entry.  This was such a last minute entry that I forgot to take some close up pictures of the finished quilt before dropping it off at the fair.  And, the day I picked it up from the fair, I had promised to deliver it to the family that it was made for.  So, some of my photos were taken rather poorly while in my car.  But, alas it’s still a really fun quilt and I am glad I had a chance to make it.

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Nui Shibori Table Quilt

Fabric Dyeing has been a fun, creative way to make unique fabrics for my quilting.  This spring, I spent some time playing around with stitched shibori.  I wanted to figure out how to create drawings in the dye.  I also wanted to try hand painting before and after dyeing the fabric.

So, I set out to do a few experiments.

Experiment #1. Nui Shibori flower and over-dyeing painted fabric

  • Draw pattern on the fabric with a water soluble fabric marker
  • Stitch the drawn lines  with polyester thread
  • Dissolve Dye in 1 ml Urea Water, Add 2 T Print Paste, 14 ml Urea Water, 1/8 tsp Mixed Alkali, Mix well
  1.               Dark Pink = ¼ tsp Mixing Red
  2.               Light Pink = 1/16 tsp Mixing Red
  3.               Dark Blue = ¼ tsp Mixing Blue
  4.               Light Blue = 1/16 tsp Mixing Blue
  5.               Green = 1/8 tsp Evergreen
  • Paint dye on fabric areas within the shibori stitching

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  • Paint dye in sections for over-dyeing

Dye Paint

 

  • Allow to dry for 4 hours
  • Pull center threads and tie off

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  • Place in 1000 ml of 0.15 mg/ml Mixing Blue Dye (with Soda Ash)
  • Batch for 5 hours
  • Wash with Blue Dawn, Dry and Iron

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Dye Paint Overdye

Lessons Learned:

  • Shibori pattern turned out well
  • Dye painting turned out well, but the the color edges were too crisp – use less Print Paste next time
  • Over-dyeing does not change the underlying painted color very much

Experiment #2.  Whole Cloth Pattern:

  • Design quilting using QuiltCAD program

Capture

  • Stitch section outlines on long arm with polyester thread for pattern placement when quilting
  • Draw shibori pattern by holding water soluble marker in the needle position and running pattern on trace

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  • Hand stitch shibori sections

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  • Dye Paint:
  1. Mixed Alkali: ½ tsp mixed with 8 ml Urea water
  2. Yellow: 1/8 tsp Golden Yellow in 10 ml Urea water; Combine 1 ml concentrate with 6 ml Print Paste, 3 ml Urea water and 0.6 ml Mixed Alkali
  3. Green: 1/8 tsp Evergreen in 15 ml Urea Water. Combine 7.5 ml concentrate with 15 ml PP and 1.5 ml MA
  4. Dark Pink: 1/8 tsp MR in 15 ml Urea water.  Combine 7.5 ml concentrate with 15 ml PP and 1.5 ml MA
  5. Light Pink: Combine 3 ml MR concentrate with 15 ml PP and 1.5 ml MA
  • Paint on Fabric sections of shibori stitching

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  • Allow to dry for 4 hours
  • Pull center threads and tie off
  • Stitch Floss “Ties” to center of fabric to help with lifting in/out of water
  • Make Dye Concentrate: Mixing Blue 10 gm in 100 ml Urea Water (100 mg/ml)
  • Place in 4000 ml Soda Ash solution in bucket
  • Add dye concentrate at 5 minute intervals (10 ml, 10 ml, 10 ml, 10ml, 40 ml) = 0.25, 0.5, 0.75, 1.0, 2.0 mg/ml to create an ombre effect
  • Lift fabric a small amount after each dye increment
  • Prop fabric up on support dripping into empty bucket, cover with plastic bag

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  • Batch for 4 hours

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  • Clip and remove all sewing lines
  • Wash with Blue Dawn, Dry and Iron

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  • Quilt as planned

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Lessons Learned:

  • Paint center dye before pulling tight the outer threads – easier than having to paint on a bubble
  • If you forget the first step – sealed air packs work well to fill the bubble for painting

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  • Fabric will trap air, creating a bubble, in the middle – easy to keep the center section out of the dye bath.
  • Use a color of thread different from the color of dye – makes it easier to remove the threads.
  • The fabric dye paint did not turn out as well as I had hoped.  So, after quilting, I repainted the fabric dye without Print Paste for a smoother look

 

I entered this quilt in the Minnesota State Fair on a whim to see what the judges comments would be regarding the shibori  and hand painting technique.  Boy was I surprised that it was awarding a blue ribbon!

 

Minnesota State Fair 2019

The weather has been absolutely beautiful the past couple of days, mid 70’s and sunny.  Perfect weather for the start of the Minnesota State Fair.  The first two days of the fair set attendance records for their respective days. After just three days, the attendance is over 500,000 – perhaps we may even surpass Texas this year!

On Friday, I went to the fair with a few friends.  It was a fun day.  Since my boys are grown, the past couple of years I have gone to the fair by myself, mainly to see the quilts and other crafts.  Of course, even with friends, the first place I went was to see the quilts.

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This year, I entered my “Fractured Tree” quilt hoping that it might do well at the fair.  Unfortunately, I was disappointed to learn that the quilt did not ribbon this year.   Fortunately, it was displayed in a spot where it was easy to see.

Interestingly, this was the only quilt this year that I originally planned to enter in the fair even before making it.  The other quilts I made were not made with the fair in mind.

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After making my son’s “Moonscape” quilt, I realized it was such a unique quilt that I thought I would enter it in the fair and see how well it might do.  I did receive a ribbon and look forward to reading the comments after the fair is over.

 

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When I was finalizing the registration of these two quilts for the fair, I decided to include two other quilts. 

One of these was a shibori and hand painted wall quilt.  I will describe the technique used for this quilt in another blog. I was pleasantly pleased to see that this quilt received a blue ribbon! 

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The other quilt was one that I was making for an acquaintance and finished sewing the binding on the day before I needed to drop it off at the fair. This quilt “Blended Cultures” was made to commemorate the birth of his first grandson.   I was really surprised to learn that this quilt also received a blue ribbon.  I am really glad I was able to complete it in time to enter it in the fair!

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Sweepstakes Winner made by Mary Alsop. She has tremendous skill and is an award winner ever year.  In fact, she was the sweepstakes winner last year as well.

I’d love to meet her some day.

Some other quilts that caught my eye:

 

After a day of exploring the fair, I think my favorite spot was the Horticulture Building.  The flowers there were stunning!

 

 

 

Dyed Fabric Strip Quilt

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One of my original posts on this blog was about fabric dyeing (Sept 22, 2015).   At that time, I mentioned that I had watched a Craftsy class about dyeing fabric.  Before jumping in and buying numerous colors of dye and supplies, I decided to try a sample kit.
The purchased a gradation dyeing kit which was a smart decision.  This kit gave me the opportunity to try my hand at mixing dyes to get different colors, as well as working with low volumes and how to best handle the fabrics.
The first color kit I purchased was “STONES & SHELLS”. Stones&Shells
Colors included were: Camel 5181, Old Rose 5220 & Stormy Grey 6160
Following the directions, I created thirty fat eights in a gradation of earth tones.  While the samples were fun to make, I had no idea what to use them for.  So,  these pieces of fabric have been sitting on my shelf waiting for some inspiration.  Earlier this year when I was doing some strip quilting, I decided that a strip quilt might be a good use of these fabric as well.
To add some pops of color, I dyed three fat quarters of cotton fabric using a variety of techniques – marbling, sun dyeing and batch dyeing.  For the sides and the backing, I dyed a three yard piece of 108″ wide cotton with a evergreen dye.
The gradation fabrics were cut into 2.5″ x 20″ strips.  These were then sorted by color and then   The green pops of color were cut into 2 1/2″ x 5 1/2″ pieces.  The strips were then sewn together with dark green on each side.  After sorting the gradation fabrics, I split them into three groups and pieced starting with the first color of each group.  This allowed for the fabrics to be distinct rather than blending from one gradient to the next.
The quilt top was then put together using my long-arm machine just like a did with the black strip quilt earlier this year (May 8, 2019).
Another fun quilt to donate.  And, more fabric used from my stash!