Spring Has Sprung!

It’s April, the birds are singing outside my window, the bulbs are coming up in my gardens and the grass is starting to get green.  So, it’s time to change the decor in my bedroom – a new Daisy Bed runner really added some springtime color.

 

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To make this bedrunner, I used the leftover blue fabric from the backing of my butterfly quilt as the main background.  To supplement the blue, I took out some of my custom dyed fabric samples, generally ones that were trials on different dyeing techniques. For added color, I decided to try out some fabric paint crayons.

A few years ago, I took a class on Shiva Paintsticks and Rubbing Plates.  I enjoyed the class and purchased some supplies.  However, time being in short supply, I really hadn’t used them since completing the class.

This project, I thought would be a good use of the paintsticks to embellish the fabrics that I had in my collection. After a day of painting, I set the fabrics aside for a week to allow the oils in the dye crayons to dry.  The dye pigment was then heat set by ironing the fabric between pieces of brown paper (absorbs the excess oils very nicely).  The resulting fabrics were really interesting.

Triangles were cut out of the fabrics and the border was then made by alternating triangles of blue and color.

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To enhance the bedrunner, daisies and leaves were appliqued onto the center panel. The runner was quilted and the binding added.

 

 

 

 

 

 

 

Arashi Shibori Experiment

Arashi Shibori, pole wrapping, creates an interesting dye pattern in the fabric. Because I liked how my initial samples turned out (see April 13, 2016 and August 12, 2016 postings), I decided to do a small experiment.  To assess the effect of the amount of compaction of the fabric has on the dye pattern, the following experiments were completed.
Experiment #1:
1. PVC pipes with caps (to reduce the amount of dye needed)
2. Three pieces of fabric  cut 8″ x 45″, stitched together using a long stitch length to form a tube of fabric, and scrunched onto the pipe
3. Scrunch one piece of fabric:
– loosely, about 20″ in length
– moderatly, about 15″ in length
– tighly, about 10″ in length

8 inch wrap

Experiment #2:

1. PVC pipes with caps (to reduce the amount of dye needed)
2. Three pieces of fabric  cut 9″ x 45″, stitched together using a long stitch length to form a tube of fabric, and scrunched onto the pipe
3. Scrunch one piece of fabric:
– loosely, about 20″ in length
– moderatly, about 15″ in length
– tighly, about 10″ in length
9 inch wrap

 

Experiment #3:

1. PVC pipes with caps (to reduce the amount of dye needed)
2. Three pieces of fabric  cut 10″ x 45″, stitched together using a long stitch length to form a tube of fabric, and scrunched onto the pipe
3. Scrunch one piece of fabric:
– loosely, about 20″ in length
– moderatly, about 15″ in length
– tighly, about 10″ in length

10 inch wrap

I now have samples that I can refer to when planning to dye fabric using this technique. Can’t wait to try some more fabric dyeing.

Minnesota State Fair

The Minnesota State Fair ended one week ago.  Finished up just in time, I entered my butterfly quilt this year.  A third place finish was a nice outcome considering that the Sweepstakes winner was the first place quilt in my category.

Butterfly Quilt on display at the MN State Fair
Quilt and Pillows on our guest room bed.
Pillow sham

After submitting the quilt, I did have some time to make a pillow sham and decorative pillow.  The sham was made with custom dyed fabric and thread painting similar to the quilt.

Decorative Pillow

For a decorative throw pillow, I did an on-line search for paper piecing butterflies and found a really nice site (https://lillyella.com/2015/09/02/butterfly-charm-block-paper-piecing-patterns/).  I really enjoyed using my dyed fabrics to make the butterflies for the pillow.

Butterfly Art Quilt – Quilting and Final Product

My butterfly quilt is complete!

From a distance, it is hard to see the details.  But, close up it’s really fun to look at.

I find inspiration for my quilting from a variety of sources – photos, coloring books, . Sometimes the quilt block “suggests” the quilting design.  Other times, it can be a bit illusive.

When planning this butterfly quilt, I knew I wanted the quilting along the edges to look like grass, but I also wanted to add some creativity to the border.  While at work, I found inspiration in a recent copy  of Martha Stewart “Living” magazine.  I liked the ferns and curly spikes in this photo and thought they would be a great addition to the quilting.
I also wanted to add some flowers and butterflies flying in the background.
Here are some close-up pictures:

The back is fun to look at as well!

 

 

Butterfly Art Quilt – Custom Dyed Background and Backing

After my butterflies were all cut, it was time to create the background fabric that they will be appliqued onto.  Inspiration – my garden (ie: grass and blue sky).

For this edge of the fabric, I am hoping to create something that looks like grass, using the Shibori technique.  For the sky, I am thinking that ice dyeing with blue might work well. Ice dyeing is similar to snow dyeing but with ice cubes instead of snow since it is summer here in Minnesota.  So, I setup to do some more fabric dyeing

Green Grass edge:
1. Cut 4 yards of Combed Cotton (Dharma Trading Company) lengthwise into three strips 144″ x 15″.
2. Sew each strip into a long tube (using a basting stitch) and scrunch onto 4″ x 24″ PVC pipe.
3. Place the fabric tube into wallpaper water tray that contains 750 ml Emerald Green Dye (2 mg/ml concentration) for 10 minutes.
4. Remove the fabric from the dye, place on paper towel to absorb excess dye solution, then wrap in plastic and batch for 4 hours.
5. Remove the stitching, rinse with cold water and wash with Blue Dawn.

Blue Sky Center:
1. Cut the green dyed fabric into two pieces 105″ in length and two pieces 75″ in length.
2. Sew these to the sides of a 72″ x 45″ piece of undyed Combed Cotton, making mitered corners.
3. Soak the fabric in warm water and wring out excess so that the fabric is just damp, not dripping.
4. Scrunch the undyed center fabric into a drain tray (sorry, but I didn’t take pictures of this), with the green edges hanging over this sides of the tray to keep from getting too much blue dye on the “green grass”. Place a 12′ x 15′ piece of scrap fabric over the scrunched fabric to catch any undissolved dye particles.
5. Cover the fabric with ice cubes.  I used eight trays of ice, which made the layer about 3″ thick.
6. Sprinkle with 0.5 gm Mixing Blue  and 1.5 gm Royal Blue dye powder.
7. Place the drain tray in a large plastic bucket to collect the melting ice and cover (to keep my cat out of the dye).
8. After the ice has melted (about 8 hours), pour one liter of hot Soda Ash solution over the fabric to set the dye and allow to batch for one hour.
9. Rinse out the excess dye with cold water and wash with Blue Dawn.
10. After drying, scrunch the edges of the fabric together and dip in Evergreen dye (1 liter of 2 mg/ml) to create a darker green edge.
11. Batch for four hours, rinse and wash.

 

 

The background fabric was now ready to applique the butterflies.  I used a variagated silk thread for the applique (Tiara #705 Silk, Superior Threads).

For my backing fabric, I wanted to complement the quilting that I was planning for the top of the quilt. To do this, I thought I would try to ombre dye the fabric.  As an added detail, I decided to first use dye magnet and dye blocker to make some butterflies that would appear in the dye.

Backing Fabric:
1. 80″ x 110″ Combed Cotton
2. Cut butterfly stencils out of adhesive vinyl using my Cameo stencil cutter.
3. Paint dye magnet near the center of the fabric to create five butterflies that will be darker than the dyed background color in those areas.
4. Paint dye blocker (Nori Glue) in the outer part of the fabric to  create five butterflies that will be white the the darker areas of the fabric. Allow both magnet and blocker to dry completely overnight.
5. Pull the center of the fabric together and secure to a wooden pole, similar to that described for ombre dyed sheers.
6. Fill a 4 gallon bucket with 8 liters of hot soda ash solution.
7. Add 1ml dye solution (200mg concentrate) and dip fabric to about 4″ from center fabric attached to pole.
8. Remove fabric, add more dye concentrate and dip the fabric again but this time stopping 4″ less than previously dipped. Repeat this process stopping 4″ shorter each time. Dye concentrate amounts used were 1,1,2,2,5,5,8,8,10,10,20,20 ml of 200 mg/ml solution.
9. Allow to hang and batch, with excess dye dripping off, for two hours.
10. Dip fabric in 4 liters of dilute Retayne and hang again for 20 minutes to allow the dye to set to the fabric.
11. Rinse out excess dye with cold water and wash with Blue Dawn.

I am now ready to load this quilt onto my longarm machine and start the custom quilting process.

Butterfly Art Quilt

As a pediatric dentist, I see lots of kids with interesting clothing selections.  Some have mismatched colors, some have their shirts on backwards (or their shoes), but some are absolutely adorable.  Last winter, one of my younger patients (she was a little over 3 years old) came in with a t-shirt on that had a large butterfly printed on it.
Now, I love butterflies – with their beautiful colors and graceful wings. This little girl was fearful of having me check her teeth, so I tried to help her relax by talking to her about her t-shirt.  Turned out that she liked butterflies too and gladly started showing me her t-shirt.  On closer inspection, this large butterfly was actually made up of smaller butterflies and was really cute.  After a successful dental checkup, she left cavity free and happy!
Since it was a busy day, I didn’t think more about the patient until my lunch break when my staff commented that they were happy she overcame her fears and was able to complete an exam and cleaning. One of my staff commented that the conversation about the butterflies may have been what helped her to relax. This conversation sparked an idea in my mind – to make a quilt with a butterfly made out of little butterflies.

http://www.missoulabutterflyhouse.org/store/

An on-line image search was unsuccessful in finding a picture of the t-shirt that matched what I remembered seeing earlier that day. I did, however, find a link to the Missoula Insectarium. In their store, they sell a t-shirt with butterflies  that I thought might be a good inspiration for my quilt.

Using a graphics program, I did a quick design to see how the idea might look. This, I thought, was going to be a fun quilt to make.

Creating the applique butterflies:
Using the graphics program, I cropped the butterfly image around each of individual butterflies.  In doing this, I found that several of the butterflies were about the same shape.  So, I actually only had 12 different butterflies to work with.  Using the Bernina DesignWorks software, I created a Cutwork and Applique file for each butterfly.

For my fabrics, I used the samples from my many trials of fabric dyeing – shibori, mandala, etc).  These fabrics had symmetrical colorings and patterns that worked well for butterfly wings.

More on this project in my next posting…

Ombre Dyed Sheers


My eldest son lives in San Francisco and recently moved into a new apartment.  His room is quite large and has a beautiful bay window where he has his desk situated.  He enjoys this desk placement with lots of sunlight flooding him when he is working and a nice view out the window.

 

At certain times of the day, the sun shines directly into his eyes, making working at his computer a bit difficult. He attempted to remedy this problem by putting up some sheers that would block the sun, but still allow some light into the room.

Unfortunately, the sun was still too bright in the late afternoon.  So, when the sheers did not solve his problem, he sought another solution.  His idea was to find some Ombre dyed sheers that were dark grey on the top and transitioning to white on the bottom.

Due to the size of the window, the only ones that he could find were nearly $600. Before he purchased these, he sent me a message to seek my advice about whether this was a good idea. Having recently tried out ombre dyeing of scarves, I thought that the price might be a bit high and offered to make some sheers for him.

Supplies:
Mid-weight Linen (Dharma Trading) 54” wide, 5.1 oz per yard
Wooden dowel, 5 ft length
Support rods – I used two camera tripods with a board attached to the top.
Dye – Black Silk, Jet Black
Unsoftened water, 12 gallons
Soda Ash, Salt
Retayne
Dye Vat:
2 x 6 Cedar, 48” x 2
2 x 6 Cedar, 12” x 2 – screw to ends of 48”
Heavy duty plastic stapled to wood to create dye vat 48” x 9″
Trial Day One:
Cut fabric to 90” length
Sew 1” doubled rod sleeve at one end
Pin opposite end to wooden dowel, roll up extra fabric (cover extra fabric with plastic bag to keep dye from splattering on white end of fabric)
Mark fabric with pin at 8” and then every 4” up to 48” from rod sleeve
Set up tripods at 6 feet height with board attached
Fill dye vat with 4 gallons hot soda ash solution
Add Black Silk dye (250 mg/ml concentrate) – 1,1,2,4,4,8,8,10,10,20,20 ml
Dip fabric to farthest pin, hang and move out of the way
Add next dye quantity (see above) and repeat until all dye has been added
Hang to dry and batch for 2 hours

Wash with Blue Dawn in hot water

Lesson learned – Black silk dye on linen washes out to a blueish color

Trial Day Two:

Question – does a mixed of two different black dyes keep the gray color better?
Followed the same technique as above, but mixed two different black dyes
Black Silk (250 mg/ml concentrate) – 50 ml, mixed with
Jet Black (250 mg/ml concentrate) – 50 ml
Add dye (250 mg/ml concentrate) –  1,1,2,4,4,8,8,10,10,20,20 ml

Wash with Blue Dawn in hot water

Lesson learned – when working outdoors, monitor the wind to make sure that the fabric does not blow down and land on the dirty driveway, and Jet Black dye leaves a reddish tint to the un-dyed fabric.

Trial Day Three:
Question – does spraying the dye on work better? does washing in cold water keep the color from fading
Pin white end of fabric to clothes line

Mark fabric with pin at 8” then at 4” intervals up to 48” from rod sleeve
Spray fabric with hot soda ash solution to saturate bottom 48” of hanging fabric
Dilute 7.5 mg Black Silk dye in 1000ml SA solution
Spray 200ml on bottom 8”
Add 200 ml SA and spray next 4”
Repeat and continue up to 48”
Let batch for 2 hours
Wash with Blue Dawn in cold water
Lesson learned – spraying caused distinct lines to be visible on the fabric, but the cold water did help slightly.
Trial Day Four:
Question – does Retayne help set the gray color better?
Follow the same technique as Day One
Batch for two hours
Dilute 1 T Retayne in 1 gallon hot water, dip the dyed fabric for 5 minutes
Hang and allow to set for 20 minutes

Wash with Blue Dawn in cold water

Lesson learned – this is the center panel in the photo above and was by far the best result!!